Wes Anderson largely kept tightlipped about his next feature project other than to say it does “have a darkness.” He’s collaborating with Roman Coppola again, who the filmmaker always co-writes with, as well as The Phoenician Scheme star Richard Ayoade on the next title.

Wes Anderson largely kept tightlipped about his next feature project other than to say it does “have a darkness.” He’s collaborating with Roman Coppola again, who the filmmaker always co-writes with, as well as The Phoenician Scheme star Richard Ayoade on the next title.

影片故事讲述侦探杰夫·安德森(阿什莫饰)的妻子自杀后，他确信她实际上是被谋杀了。安德森专注于他的调查，发现他的妻子是一对父子组成的连环杀手团队的受害者，并开始阻止他们杀害其他女人。

Anderson said he’s now ready to take on another huge British novelist. 　　“I feel like the writer who I would like to adapt — who I don’t know if I can see the opportunity — is Dickens,” he said. “I would like to do a big Dickens story. They’ve all been adapted. They’ve all been done many times. They’re so interesting. People keep going back to them. They’re so entertaining and so complex.”

Anderson said he’s now ready to take on another huge British novelist. 　　“I feel like the writer who I would like to adapt — who I don’t know if I can see the opportunity — is Dickens,” he said. “I would like to do a big Dickens story. They’ve all been adapted. They’ve all been done many times. They’re so interesting. People keep going back to them. They’re so entertaining and so complex.”

20年后的未来社会，狗狗的数量激增，加上犬流感肆虐，市长小林和他的幕僚发布了一道政令，将一座垃圾岛变成“犬之岛”，把所有狗都放逐到岛上。一个12岁的小男孩小林阿塔里为了寻回爱犬“点点”，独自飞向这座犬之岛。在那座岛上，君主、首领、老板、公爵、国王五只狗狗受够了与世隔绝的生活。小男孩得到这五只狗狗的支持和保护，躲避日本当局的追踪 。

20年后的未来社会，狗狗的数量激增，加上犬流感肆虐，市长小林和他的幕僚发布了一道政令，将一座垃圾岛变成“犬之岛”，把所有狗都放逐到岛上。一个12岁的小男孩小林阿塔里为了寻回爱犬“点点”，独自飞向这座犬之岛。在那座岛上，君主、首领、老板、公爵、国王五只狗狗受够了与世隔绝的生活。小男孩得到这五只狗狗的支持和保护，躲避日本当局的追踪 。

导演在1966年越南战争最激烈的时候，回国跟随一排美军六周。该纪录片讨论了这些士兵的过去和未来，并展示了如何 在丛林中生活和战斗。

Sky Arte’s production is a tribute that Wes Anderson wishes to pay to one of his favourite directors on the occasion of the 100th anniversary of his birth. Together with Francesco Zippel, Anderson has retraced some themes close to Fellini’s own approach to cinema.

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